Subcomandante Marcos, the spokesman for the Zapatistas (Ejército Zapatista de Liberación Nacional, or EZLN), has announced that his rebel persona no longer exists. He had gone from being a “spokesman to a distraction,” he said last week. His persona, he said, fed an easy and cheap media narrative. It turned a social revolution into a cartoon for the mass media. It allowed the commercial press and the outside world to ignore traditional community leaders and indigenous commanders and wrap a movement around a fictitious personality. His persona, he said, trivialized a movement. And so this persona is no more.
“The entire system, but above all its media, plays the game of creating celebrities who it later destroys if they don’t yield to its designs,” Marcos declared.
The Zapatistas form the most important resistance movement of the last two decades. They are a visible counterweight to the despoiling and rape of the planet and the subjugation of the poor by global capitalism. And they have repeatedly reinvented themselves—as Marcos has now done—to survive. The Zapatistas gave global resistance movements a new language, drawn in part from the indigenous communal Mayan culture, and a new paradigm for action. They understood that corporate capitalism had launched a war against us. They showed us how to fight back. The Zapatistas began by using violence, but they soon abandoned it for the slow, laborious work of building 32 autonomous, self-governing municipalities. Local representatives from Juntas de Buen Gobierno, or Councils of Good Government, which is not recognized by the Mexican government, preside over these independent Zapatista communities. The councils oversee community programs that distribute food, set up clinics and schools and collect taxes. Resources are for those who live in the communities, not for the corporations that come to exploit them. And in this the Zapatistas allow us to see the future, at least a future where we have a chance of surviving.
For more on this story, visit: We All Must Become Zapatistas By Chris Hedges.