Home > Notable Peace News > How Assad Is Winning | by Charles Glass | The New York Review of Books

How Assad Is Winning | by Charles Glass | The New York Review of Books

In Damascus people call it the “million-dollar checkpoint,” although it is not one but two face-to-face roadblocks, barely a rifle shot apart. On a suburban road between government and opposition zones of control in Damascus, President Bashar al-Assad’s soldiers and their rebel enemies inspect cars, vans, and pedestrians. Their shared objective is extortion, exacting tolls on medicine, food, water, and cigarettes, as well as people, that are moving in and out of the besieged orchards and homesteads about ten miles from the center of Damascus in an area known as the Eastern Ghouta.

This devastated region, where a half-million people lived before the Syrian civil war, was the scene of the regime’s chemical weapons attacks in August 2013 that nearly drew American air power into the conflict. Partly as a result of a deal with Vladimir Putin, United Nations inspectors arrived instead, and removed or destroyed most of the government’s poison gas stocks. Since then, the frontier between the state and its opponents has provided profits to both. Such cooperation between enemies surprises those unfamiliar with Syria’s political and economic landscape, although neither side has concealed its recurrent contacts with the other.

The fierce game between the government and its adversaries is not confined to Eastern Ghouta. Wherever the warring sides want peace, there is peace. Where they contest territory, as they did until recently in the eastern quarters of Aleppo, there is war. Where they want profits, they collaborate. Hence, the “million-dollar checkpoint” and lesser checkpoints throughout the country that sustain the business of war. Paltry exactions from beleaguered citizens add up to large fortunes, giving the fighters incentives to mute the conflict in certain areas and marshal their forces elsewhere.

Source: How Assad Is Winning | by Charles Glass | The New York Review of Books

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